We have explored the ancient motif of the heavenly mill and the axis in a recent post, today we are going to make an incision into the body of myth as a goddess, to perform a type of cesarean to help her deliver some of her ancient secrets.
Because our last mythical thread ended with a picture of the dragon and the heavenly mill, this is where we are going to re-enter the body of that ancient goddess. As you now know the mill motif portrays not only the rotation of the skies…
…but more so, to the ancients, the mill was a symbol for the motion that grinds out the ages. Let’s look into what that could mean (the idea of preceding ages) we need to go back a step and look at the Axis Mundi idea again, the still point that the world revolves around…….. the North Star.
As we now have an inclination that myth is portrayed through the Celestial tent of heavens (the night sky) we are going to explore that story in three places at once: one on this earth, one in the sky and one in the body of the myth goddess itself, in the medium of another mythological motif – the sea serpent/monster, the first goddess.
As our sky revolves around, it is seen to spin around the North Star: Polaris, in the constellation of Ursa Minor, the Little Bear.
But Polaris was not always our North Star – our ancient myth mother has known another North Star, Thuban, in the constellation Draco, the heavenly Dragon (starting to sound familiar?), and if it is not, think about the tree and snake in the garden of Eden, and the fall, or end of an age (the golden age?) symbolised by being thrown out of the garden.
Now let us come back to earth from the lofty heights of Capella, on earth let us descend on Ancient Greece, and unto one of its most prominent sites: the oracle of Delphi.
The Greeks believed the navel of the world (Axis Mundi again?) was under a stone called the Omphalos (meaning navel) guarded by a mythical earth snake/dragon.
So we have the same story repeated on earth, on Greece’s most renowned oracle site, and mystery school (we may look at this later).
In the old myth, the god Apollo kills Python the guardian snake, leading us back to most ancient of goddesses.
From Saint George and the dragon we can follow our mythical hero, the Thunder God, through the last 5000 years and watch his plight, and fight with the dragon of the deep (and Draco in the sky): Apollo kills Python (Greek), Baal fights Yam (Canaanite), Marduk and Tiamat (Babylonian).
In the Old Testament book of Job, there is a mention of the great sea monster Leviathan, apparently the same monster, called Lotan, that was associated with the god Yam (meaning sea). The Jewish Thunder God (we met him as Thor the 4×4 god remember? ) will kill the sea monster and would stretch its skin on the tent that houses the people at the end of days!!!
What a feast.
Wow we thought, this is literally a Job description!!!
Stretching the dragon skin over the tent, almost as good as the Kalevala’s description of the mill with a lid of many colours (we saw it as the cover of the tent of course).
As this project is about making the zodiac tent, we thought it is high time to bring forth the real drama (it is a form of transformational theatre venue after all) as portrayed on our myths and legends, and projected over our biggest screen (the sky itself), like a skin of a mythical dragon, to become apparent as a guiding script at the end of times.
What is that ancient script and what is the drama?
That would require a thread of its own.